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Discussion
Forum
Community
Art Projects and Murals
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As
part of the forum we are conducting a nationwide
survey into the success of Community Art Projects and
Murals. We want to hear your thoughts and experiences
on their success and the lasting results of the art
projects in your area. Below
are some examples of projects that have been implemented
since 2000.

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Feedback
from Hockley Neighbourhood Policing Team, Rochford District
Council in September 2006
Hockley is a very low crime, affluent area of Essex.
It did however receive more than a fair share of damage
by graffiti and tagging. Police spent many hours gathering
intelligence, performing arrests and searches to get
these offenders to court. During the time with the offenders,
it was obvious they have a great talent. We asked them
why they tag? It is their hobby. Mine is kicking a football,
but that is not illegal. Why should their hobby be illegal?
It was obvious we would never beat these offenders so
as the saying goes, "if you can't beat them..." Hockley
police and Rochford District Council joined forces to
provide a wall and paint. The wall was a cricket pavilion
in a very busy sports centre. Essex Youth Services provided
an artist and we invited along our main graffiti offenders.
The walls have been a success not only providing an
attractive cricket theme Spray can art mural, but a
talking point amongst the Community. Reports of crime
by graffiti have dropped to zero. The offenders are
frustrated they cannot show off their work, so resort
to tagging to get their notoriety. Yes we could spend
thousands of pounds cleaning it off, but why not lets
make these areas attractive. The possibilities are endless
and space is not so hard to find as you think. Industrial
estates for example. The artists are more than willing
to do work displaying company logo's on walls, skip
bins and even lorries. Parks and skate parks. Even railways
and shopping areas. The art can be impactive messages
such as 'kill your speed' or 'stop racism.' The artists
have a lot to offer. Give them a chance and watch the
reports of crime by graffiti fall.

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Response
from GraffitiHotline
Thank
you very much for your e-mail. I have found it very
interesting and it may well prove to be a valuable example
for councils across the country.
We have received many e-mails from Art project schemes
whereby youths take part to create murals in the hope
of getting them to take pride in their environment.
We have also received many e-mails objecting to this
type of project on the grounds that they find the content
and style of the work agressive and as bad as illegal
graffiti. More support was given to art projects which
were not in the typical 'graffiti style', for example,
murals undertaken by primary schools. We are trying
to create some 'Golden Rules' in the use of murals and
public art as a means to reduce graffit and if possible,
solutions that are acceptable to all.
Your e-mail states that the reports of graffiti in some
areas have dropped to zero. Do you have any more inforamtion
and photos on what has been achieved and are you able
to provide any more informaiton on the levels of graffiti
before and after the project. Also, are there any objections
from locals who do not like seeing the murals? Many
thanks for your help.

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News
from Sheffield in September 2006
PROPOSALS
for a graffiti wall in Sheffield have been rubbed out
by council chiefs who fear it will give out the wrong
impression.
Councillors
from all parties looked at whether to have a designated
wall in the city which graffiti artists and taggers
could spray on without fear of being prosecuted. But
council chiefs have rejected the idea because they say
it would give the wrong message.

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The
neighbourhoods scrutiny board has published a detailed
report on all kinds of graffiti, fly posting and tagging
issues in the city. Six councillors and officers worked
on the report, called The Writing on the Wall, over
an eight month period and visited other cities to see
how they tackle the problem.
Chairman
of the scrutiny board, said: "The working group considered
everything from a zero tolerance approach, which was
supported by the majority of the public in a survey,
right through to having some degree of tolerance in
specific areas." Got an opinion?
For
more information click
here
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Feedback
from Aberdeen Council in September 2006
I have found that where murals have been painted on
the unit shuttering in the shopping centre it has been
well respected & has lasted without being sprayed for
years. The murals were done with the assistance of a
professional who guided the young people with regard
to how they should achieve their ideas but was their
project.

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Feedback
from East Devon Council in September 2006
Youth Consultation with a difference! Organised by the
Arts Dept. at East Devon District Council, this event
was part of the Councils wider consultation plans. Young
people were given the chance to get together in a safe
environment take part in a well organised competition,
listen to local youth bands and drop in to the free
Graffiti workshop. Professional Graffiti artist Mark
Alford from Exeter was employed to help the street artists
taking part to develop their style without breaking
the law. 67 linear metres of boarding was erected against
the Skate Park railings to provide a permanent exhibition
space for the local young people. A team of video professionals
was also employed to gather opinion from a wide range
of attendees, we wanted young people to be given the
chance to tell us what they think about play and life
in general in East Devon. The opinions gathered will
be used to inform future policy and practice across
the area to ensure that the Council keep the ideas of
its young people at the forefront of everything that
it does. The Street Art element of the day provided
a wonderful focus for the young people's enthusiasm
and showed just how they can respond to an artistic
challenge. We would love to do it again, perhaps in
another area of East Devon with the young people themselves
taking over a large part of the organisation.
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Feedback
from South Hams District Council in September 2006
"My suggestion is that each town/city/big village
should provide several metres of wall or boarding for
graffiti artists. Ideally, those wishing to use the
space provided should form a committee that would be
responsible for organising:
-a. competitions
-b. decisions on what should be preserved for (for example)
the next month
-c painting over stuff that had been exhibited
The local councils and/or youth clubs could help out
by overseeing the operation in each community To my
certain knowledge, young people will use available space
even when it is provided by an authority. Moreover,
they are expert at assessing graffiti and ready to learn
from each other. I see the graffiti movement as a given
opportunity for local authorities to harness the energy
and the opinions of our essential young people."

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Feedback
from Maidstone Council in September 2006
"Maidstone Borough Council has looked at educating
young people in an attempt to deal with tagging. I'd
like to point out the difference between 'tagging' which
is writing slogans & names in public places as opposed
to graffiti art which is an art form and the majority
of graffiti artists do not deface pubic property to
showcase their art. Maidstone Borough Council has contracted
a professional local graffiti artist (who trained at
art college to perfect his technique) to work with young
people on targeted estates to teach them graffiti art
and to teach them to respect public property. Having
the right role model to interact with the young people
is imperative to the success of such projects. Four
years on, graffiti has stopped in the 2 areas targeted,
one a play park; one a skateboard park. As a result
of these successful projects which we have advertised
over the internet, Maidstone Borough Council has been
approached by local authorities across the country asking
for advice on how to run similar projects in their Boroughs."

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Feedback
from Test Valley Council in September 2006
"The wall paintings of many hands in the tunnel
leading from Waitrose down towards the Pocket Park in
Andover which was painted at least 10 years ago has
survived amazingly well so far as I have seen and not
been defaced by inappropriate graffiti except on a few
occasions.
The paintings of racing cars which are in the underpass
between Junction road and the Anton River bridge do
suffer from defacement by inappropriate "graffiti" on
a fairly regular basis. Is there some kind of wall
paint that prevents defacement? Objectionable graffiti
on walls has been tackled at least in Cricketers Way
by special paint. It is not good to see foul language
or rude words as a part of one's environment"

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Response
from Graffiti Hotline
There
are many coating available on the market to make the
removal of graffiti easier. Please see information
on coatings.
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Feedback
from Solihull Council in September 2006
"Solihull has a splendid scheme where disturbed
youngsters are able to use their Graffiti skills to
decorate an underpass in Shirley. This is supervised
and done to a high standard. Participants get rid of
their anger through street art. I have seen the results
over twelve months and think that it has been very successful.
"I
would commend any similar controlled graffiti as
a very good way of discouraging unwanted mess and actively
doing good."

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Feedback
from South Somerset Council in September 2006
"Four villages in my ward. Only one has this problem
though. And there the Young People's Parish Council
are dealing with it by establishing a dedicated Graffiti
Wall at the Recreation Ground."

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Feedback
from Ealing Council in September 2006
"I'm
very interested in ideas to counteract antisocial behaviour.
I feel that the roots lie in some sort of alienation
and that schools and youth services have to offer activities
using an approach that can draw young people in and
start to motivate them. Take graffiti, for instance.
I've seen some stunning murals along canals and in disused
railway stations - unfortunately people don't see graffiti-style
murals as art. Do art teachers give any input about
graffiti art? Do they take it seriously as an art
form - I don't know if it is or not, but if it was,
there would be more opportunity for the perpetrators
to express their (some might say depraved) angst openly
as an art form in a structured environment and maybe
less on local walls and buildings. Is this tooo revolutionary
to discuss seriously?"

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Feedback
from Richmond upon Thames Council in September 2006
"Happy
with HIGH QUALITY art work/planting etc if it covers
space that might otherwise attract graffiti and is in
keeping with streetscene and general architectural setting.
"Strongly
opposed to any acceptance of graffiti as any form of
art or the use of spray paints in any public space or
any programme which does not impart that graffiti daubing
is selfish and destructive vandalism and deserving of
censure."
Feedback
from Wolverhampton in September 2006
"Graffiti
isn't, never has been, and ever will be, 'art'"

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News
from Sheffield in September 2006
A
NEW graffiti wall dedicated to a Sheffield teenager
murdered by his brother has been unveiled by his young
pals. James Wiles was stabbed through the heart in February
this year by his older brother Carl, who is now serving
a life sentence. Friends of the 15-year-old, from Westfield,
spent months creating the memorial wall at the John
Barnett Youth Centre to ensure their friend's memory
lives on.

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For
more information click
here
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Feedback
from Leeds Council in September 2006
"There
are no projects of the kind you mention in my Ward,
successful or otherwise. I will look at your website,
but I have to say that the involvement of my colleagues
and I in graffiti is usually getting it removed from
public buildings. I have yet to be convinced of the
value of graffiti workshops, some of which have been
run by our local Youth Service."

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News
from Wimbledon in September 2006
Twenty-five
enthusiastic green-fingered volunteers began work on
August 23 to build a special wall in Leyton Road, Wimbledon,
for young people to express themselves through graffiti
art.

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For
more information click
here
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Feedback
from Calderdale Council in August 2006
"With reference to your Community Murals, we do
not encourage this and we only have some in an underpass
leading to the Police Station, and in liaison with the
police we allowed it to stop graffiti and make it reasonable
for people to walk through. As soon as any graffiti
appears, we remove it."

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Feedback
from Dundee Council in September 2006
"I
object to graffiti official or otherwise."
Feedback
from Hull Council in September 2006
"I don't like to see it, you don't see it in well
off areas. I think it brings the tone of the area down.
It is good on walls that are not public"

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Feedback
from Maidenhead Council in August 2006
"Many
thanks for the e-mail. We try and keep on top of this
blight in my Maidenhead ward, but it's a constant battle
- especially during holiday times.
"One
sadness for me is the constant attacking of a mural
on a footbridge. The mural is made up of a montage of
children's paintings on the theme 'traveling to school'
and helps brighten up a rather dull area. It was put
on the footbridge three years ago by a professional
artist and a protective coat was placed over it to help
keep the graffiti at bay. However, the effectiveness
of the coating is starting to wane and the mural
is becoming damaged. Any suggestions?"

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Response
from GraffitiHotline
Thank
you for your comments. Permanent
graffiti coatings should last for up to ten
years, if they are correctly applied, and any graffiti
is removed using the correct chemicals and techniques.
Once
the coating starts to deteriorate, it is very difficult
to remove it without damaging the underlying mural.
So I am afraid that there is no easy solution.
If
you were to repair or replace the mural then try to
involve the community and people using the bridge. Generally
if they have created it they will look after it.
Could
you please e-mail some photographs so we can make any
further suggestions.
Response
from France in 2006
"France
has a terrible graffiti problem, but I saw a very prominent
area near the station where young people had obviously
been encouraged to do work of a very high quality. The
area had no other graffiti, partly because of the pride
in seeing their work in such a high profile place. I
also think it enabled older people to realise how skillful
some graffiti is and enjoy it in a setting where the
colourful and dramatic tags were a positive contribution
to the environment.
"I'm
not too keen on murals that are done by artists who
have not engaged with the local young people. The young
people have to be the kids that do the graffiti, not
some 'good' little primary pupils."

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Feedback
in August 2006
"Interesting
web site that asks questions that some 'community orientated'
artists might shy away from.
"As
a visual artist who occasionally works within community
contexts, I have turned down mural commissions because
I've come to recognise that the mural tends to signify
'community deprivation' rather than 'community pride'.
Unless the building/surface is either low profile or
temporary (or, as is often the case, both), there really
is no excuse for a mural.
"If
the building lacks integrity...it shouldn't be there!
If a building has integrity it will not be enhanced
by the addition of a mural (and I saw the best that
Leningrad, Moscow and Belfast had to offer)... and If
there's one thing more ugly than an ugly building, it's
an ugly building with an ugly mural on it!
"Temporary
hoardings and graffiti walls are a great idea, external
murals painted onto the walls of prominent buildings
are a bad idea (- discuss)!

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Feedback
from Gravesham Council in August 2006
"Graffiti
is a criminal offence whether it be by the yob culture
or councils (referring to youth projects creating murals).
I totally disagree that this kind of vandalism can in
some way be classed as 'Art' - it is nothing more than
an eyesore"

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Response
from GraffitiHotline
"Is
it Art?" is a question that can create an endless
debate as can the proverb "Beauty is in the eye
of the beholder"
We
have seen a council funded youth project create a mural
on a housing estate and a few days later the same council
remove the mural following pressure from residents.
We have also seen murals well received by residents
and brighten up an otherwise dreary area.
The
aim of this survey is to establish if there are any
golden rules that can be followed when murals and public
art are used to regenerate areas and as a means to successfully
control graffiti.

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Feedback
from Lewes Council in August 2006
"I
organised the painting of a badly and persistently graffitied
pedestrian footbridge over the railway in Lewes last
year; in the main this has very much improved the look
of the footbridge. We do have sporadic small graffiti
markings but find that if we clean these off the same
day it may be a week or two before more appear.
"In
the last year we have had only 1 really bad incident
when person or persons unknown spray painted almost
all of the sections on the bridge with car paint. Thanks
to the anti-graffiti paint we managed to remove almost
all of the marks.
"Apart
from prompt removal of marks, and sometimes going into
the local secondary school when the writing appears
to identify youngsters from a particular group to see
if the culprits can be found and then asked to help
remove the markings.
The
other things which have helped are involving 24 local
groups in designing the panels and the existence of
a new graffiti wall in a local park. Mostly I think
I should just say well done on cleaning up the bridge
etc; and good luck with all the hard work of maintaining
it...."

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Feedback
from Colchester Council in August 2006
"I
was involved in delivering a youth project which saw
the painting of a mural on the wall of the wall of the
Salary Brook subway which goes under the A133. So far
there has not been any damage to this. The other subway
which joins the Greenstead Estate to Greenstead Road
has instead been simply painted and despite the presence
of CCTV cameras it continues to suffer from graffiti"

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Brent
Council started sponsoring a number of
community arts projects in 2001. "We have been
really impressed with the quality of the artwork that
has been produced by young people and will continue
to sponsor similar projects." More
info
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A
youth shelter in Wendover
that was repainted over a period of five months by a
group of young people, had graffiti sprayed on it just
days after the work was completed in August 2006. The
group of boys worked with a professional street artist
to design a mural that reflected the youth in Wendover.
"It is quite annoying, as the graffiti is not as good
and has spoilt what we did." More
info
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The
Tarner Area Partnership
in Brighton commissioned a mural in July 2005. The design
of the mural was based on the ideas and drawings of
young people and it reflected what they wanted to see
in the area. The finished mural was sealed with yacht
varnish.
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"The
mural has transformed the area by giving it a vibrant
splash of colour and the community has been involved with
the project. It has helped create a positive atmosphere
that will hopefully deter graffiti 'taggers' and vandals."
More
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Around
20 young people and three adult volunteers joined in
the project that has taken 12 weeks to complete, during
which time the mural remained free of tags and unsightly
daubings. "When a mural is painted on a wall other graffiti
artists respect it. Not only that, they're so bright
and colourful it makes them hard to paint over. 'Tags'
don't tend to get noticed on the wall next to the mural."
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Also
in Brighton
in August 2006 a "Wall Art" project evolved from an unlikely
collaboration between Age Concern and local graffiti artists.
The artists used the 16m vehicle mounted platform to paint
an image on the side of the Age Concern building in the
centre of the city. The image is supposed to challenge
the stereotypes that the two groups hold towards each
other. More
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Holland District Council
dropped a children's summer scheme in August 2006 because
of growing concern about the rapid increase if graffiti
in Spalding. "The crime and disorder partnership
met recently and, in light of the public concern about
the increase in the incidents of graffiti, it was felt
unwise to support this aspect of the scheme. Despite the
fact there is no proven link between the two, for the
sake of public perception it was felt that the money could
be spent on other diversionary activities. More
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It
was announced in July 2006 that overwhelming support from
the people of Bristol
means an eye-catching piece of graffiti by the 'guerilla'
artist Banksy is to stay. Bristol City Council, however,
has warned that they will continue to treat everyday cases
of 'tagging' and graffiti as vandalism.
"Banksy's unique style and flair prompted the council
to put the dilemma of whether to consider it as graffiti
out for public discussion. "It is fantastic that Bristol's
residents have felt so strongly about it as a work of
art that they have been encouraged to register their views."
Bristol City Council regularly works with local artists
and communities to devise murals for sites that have been
repeatedly tagged over long periods of time. |
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Only
a small percentage of those who expressed their opinion
wanted to see Banksy's latest contribution removed. Some
were concerned that the work might encourage imitators
and other graffiti that was less desirable. Others argued
that graffiti of any kind makes the city looks scruffy,
and promotes the alienation of communities in whose midst
graffiti occurs.
"The council works hard to combat ugly graffiti, tags
and associated antisocial behaviour, and will prosecute
those responsible. I stress that the decision to keep
this Banksy image is not a green light for more graffiti
in the city. More
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